Almost nothing here is mine. I am assembling other people’s thinking into something that hopefully is. This is the room those ideas came out of.
Not books I own, or books I have heard summarized. If it is on this list I read it, and I will happily argue about it.
EOS. The weekly scorecard, the Level 10 meeting, quarterly rocks. We run the company on it.
Attention as the artist’s core discipline. Read it more than once.
Resistance, named and personified. The best gift you can give a student is a name for what is happening to them.
Creativity as a habit made of ritual, not inspiration. The box per project.
Making smaller circles, investment in loss, numbers to leave numbers. Loved it.
Nine principles for aggressive self-directed skill acquisition. Directness and drill are the load-bearing pair. Loved it.
Plus several of his others.
The disciplined pursuit of less.
Decision-making as a written, testable system.
The working creator’s practice and economics in the platform era, from someone who built it with no label.
The series. A latticework instead of one favorite hammer.
Performance psychology.
The one that starts most people down this road.
Simple, unexpected, concrete, credible, emotional, stories. Read it a long time ago and due a refresher.
Every genre is built on a major activity of life and carries its own moral vision.
Why artists quit. The canonical book on it.
Deliberate practice, from the man whose research the 10,000-hour rule misquotes.
Being-values and peak experiences. I have read about it, not read it.
A different claim from the shelf above. These are the people I reach for when a specific question comes up, and what each of them specifically owns. Where the best disagree I would rather name the disagreement than average it.
35,000 recorded sales calls. Closing pressure works in small sales and backfires as the decision gets bigger, and the best performers meet fewer objections because better questions stop them forming.
Tactical empathy. Labeling, mirroring, and chasing "that’s right" instead of "yes."
The size of the gap you have actually diagnosed sets the urgency. Pain alone moves nobody. Impact does.
The five basic obstacles: no need, no money, no hurry, no desire, no trust. Diagnose which one is live before answering any of them.
Five states of awareness and five stages of market sophistication. The sophistication half is the one nobody quotes and the one that matters in a crowded market.
Reciprocity, commitment, social proof, authority, liking, scarcity, and unity. The most rigorously sourced voice in the whole field.
Five times as many people read the headline as the body, so when you have written the headline you have spent eighty cents of your dollar.
Confirm their suspicions. The hook on my first essay here is his move.
The value ladder and the epiphany bridge. Rereading it is what started this site.
Steal from many rather than one, transform rather than copy, and credit what you took. This page exists because of him.
The taste gap. Your taste arrives before your ability, that gap is why beginners quit, and only volume closes it.
Morning pages and the artist date.
Life’s task, apprenticeship, creative-active, mastery. The arc almost no art program names out loud.
Deliberate practice at the edge of ability, on defined sub-skills, with immediate feedback.
Retrieval beats rereading and spacing beats cramming, and all of it feels worse while you do it, which is why students avoid exactly what works.
He named it and built the research program behind it.
Self-efficacy. Belief in your own capability drives what you attempt and how long you last.
A Chelsea gallery director and an arts lawyer. The strongest authorship in the genre.
Why art prices behave the way they do. Galleries avoid visible price cuts, and dealers separate the front space where you discuss the work from the back space where you discuss money.
The structural economics. Useful for keeping base rates honest rather than for comfort.
The 2008 essay underneath every creator-economy argument since.
Resulting: judging a decision by how it happened to turn out. The single most expensive habit in advertising.
Throughput is set by one binding constraint, so improving anything else changes nothing.
Start from base rates, update often and in small increments, and keep score.
A latticework of models from several disciplines, because a person with one model bends every problem to fit it.
People whose stuff I keep going back to, wherever it lives.
The four kinds of luck reached me through him. The Almanack is wonderful.
Homework for Life. Five minutes at the end of the day finding the one story-worthy moment. I have kept it for years.
The hooks playbook is the most useful free document in marketing. His register is not mine and the structure transfers anyway.
The 2007 essay that carried James Austin’s four kinds of luck out of medical research and into business.